Play Along Piano

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counterpoint

Prelude and Fugue for Orchestra

penne vodka

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Violas	26	13	11	6	88%
Violins II	30	9	10	8	86%
View all 13 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Violas	26	13	11	6	88%
Violins II	30	9	10	8	86%
Violins I	37	3	16	8	72%
Flutes	33	31	14	7	72%
Violoncellos	26	5	11	7	69%
Bassoons	32	17	16	7	66%
Contrabasses	32	0	14	7	65%
Clarinets in B♭	29	23	10	8	63%
Oboes	25	17	11	7	60%
Horns in F	25	31	9	7	49%
	27	34	8	6	33%
Timpani	4	0	0	4	16%
Trumpets in B♭	12	7	5	5	12%

Niilo Korsulainen 2

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Violoncello	37	1	22	8	96%
Violin II	28	0	14	8	92%
View all 5 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Violoncello	37	1	22	8	96%
Violin II	28	0	14	8	92%
Viola	30	4	18	9	88%
Violin I	32	14	16	10	84%
Contrabass	29	0	16	8	76%

BSG

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Organ	18	54	7	4	33%
	26	0	10	7	96%
View all 16 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Organ	18	54	7	4	33%
	26	0	10	7	96%
Vcl	26	3	10	7	96%
Tenor	18	0	7	5	86%
Viola	18	0	7	5	86%
Alto	18	0	6	6	84%
Violin 2	18	0	6	6	84%
Soprano	18	0	7	5	79%
Violin 1	18	0	7	6	79%
Bass	17	0	5	6	71%
Tromba 1	14	0	2	6	38%
Ped	10	0	2	5	33%
Trombone	10	0	2	5	33%
Tromba 2,3	11	20	1	4	22%
Timpani	2	0	0	3	21%
Oboe	13	16	3	5	20%

J. S. Bach: Kyrie I (Missa H-moll, BWV 232)

BSG

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
CB	27	0	9	7	100%
Org e cto	27	0	9	7	100%
View all 15 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
CB	27	0	9	7	100%
Org e cto	27	0	9	7	100%
Vcl/Cb	27	0	9	7	100%
Ob. da Cacc.	25	2	10	7	98%
Flute	22	1	9	7	90%
Bassoon	24	0	8	7	88%
Viola	26	0	10	6	88%
Violin 2	25	0	11	7	85%
Violin 1	24	0	8	7	84%
Tenor	19	0	7	6	72%
Alto	21	0	8	6	67%
Bass	21	0	8	7	62%
Soprano 1	22	0	8	6	61%
Soprano 2	20	3	8	6	53%
Church Organ	10	0	4	3	2%

Sohon Kingdom Suite (Audio Source) (MCC #2)

Dun Ought

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano	21	1	5	4	29%
	19	2	4	5	27%
View all 22 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano	21	1	5	4	29%
	19	2	4	5	27%
Contrabass	15	0	1	9	73%
Violoncellos	14	0	1	7	73%
Violas	7	1	5	7	70%
Violins II	8	0	3	8	70%
Violins I	16	1	3	9	68%
B♭ Clarinets	28	23	7	8	49%
Oboes	20	3	3	8	44%
Horns in F	25	37	1	7	33%
Flutes	26	3	5	8	30%
Timpani	7	0	0	7	30%
Bass Clarinet	13	0	0	6	28%
Electric Bass	12	0	0	3	24%
B♭ Trumpets	18	0	3	6	21%
Piccolo	22	0	3	7	19%
Synthesizer (Square)	21	0	9	8	15%
	18	0	8	9	15%
	19	0	7	8	15%
Violin Solo	17	1	0	5	10%
	21	0	4	8	7%
B♭ Clarinet Solo	20	0	4	8	10%

bpittman3

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Violoncello	23	2	8	8	99%
Viola	23	2	8	7	99%
View all 4 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Violoncello	23	2	8	8	99%
Viola	23	2	8	7	99%
Violin	25	2	9	8	97%
	19	3	7	8	98%

Orchestration Practice no. 1

Drop Kenny

0:26	Est. Play Time
10	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Flute 1	8	0	1	4	90%
Flute 2	6	0	1	4	90%
View all 18 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Flute 1	8	0	1	4	90%
Flute 2	6	0	1	4	90%
Violin 1	9	0	1	3	90%
Violin 2	8	0	1	3	90%
Violoncello	11	0	2	3	90%
Viola	10	0	2	4	80%
Contrabass	13	0	2	5	70%
Harp	13	10	2	3	60%
	9	3	1	3	30%
Oboe 1	4	0	0	3	60%
Oboe 2	5	0	0	3	60%
Timpani	3	0	0	5	60%
Bassoon 1	6	0	1	3	40%
Bassoon 2	5	0	1	3	40%
B♭ Clarinet 1	4	0	0	2	30%
F Horn 1 amp;amp; 3	2	0	1	1	30%
F Horn 2 amp;amp; 4	3	0	0	1	30%
B♭ Clarinet 2	3	0	0	2	20%